{"id":14779,"date":"2023-01-13T22:28:03","date_gmt":"2023-01-14T00:28:03","guid":{"rendered":"http:\/\/poaciadanca.com.br\/?page_id=14779"},"modified":"2023-02-05T16:15:15","modified_gmt":"2023-02-05T18:15:15","slug":"be-the-dance-pro","status":"publish","type":"page","link":"https:\/\/poaciadanca.com.br\/en\/be-the-dance-pro\/","title":{"rendered":"Be The Dance PRO"},"content":{"rendered":"

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BE THE DANCE PRO is a workshop
\ndesigned for professional dancers.<\/h4>\n

It is a journey beyond
\ntechnique, beyond intellect,
\nbeyond reason and emotion.<\/h4>\n

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THE DANCER<\/strong><\/h2>\n

We dancers are artists who practice for long period thoroughly dedicated.<\/h4>\n

No matter which dance technique we choose to express our artistry, we will experience physical demands equivalent to those of a high-performance athlete along with emotional challenges every artist experiences while on stage.<\/h4>\n

But… what is this dance that we want to express?<\/h4>\n

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THE WORKSHOP<\/span><\/h3>\n

BE THE DANCE PRO is a journey<\/span>
\ninto oneself,<\/span>
\nin search for a dance where<\/span>
\npresence and totality merge.<\/span>
\nIt’s a voyage to investigate the “something else”<\/span>
\nwhich makes each dancer,<\/span>
\na different and unique artist.<\/span><\/h4>\n

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“SOMETHING ELSE”<\/h3>\n

What makes a dancer different from another?
\nWhy are dancers in a similar technical level
\nso different on stage? And why do some exert
\nirresistible attraction on the audience?<\/h4>\n

BE THE DANCE PRO \u00a0offers the possibility of investigating some key qualities that influence a professional dancer\u2019s performance.<\/h4>\n

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“During one of the daily classical ballet classes at the school in Ukraine, the teacher made us repeat many times, still on the barre, the preparation for an exercise, those initial chords where we move an arm gently together with the head, to signal that we are starting a sequence. In this case, it was a sequence that never started because the teacher made us practice this preparation throughout the entire class.<\/h4>\n

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At the time, I thought this preciousness was a waste of time because there were so many moves, tours, jumps to practice and improve technically. And there we were, repeating to exhaustion that simple preparation that didn’t even require effort or special skill.<\/h4>\n

<\/h4>\n

Years later this memory came back. By then I had realized that there is something else that makes a dancer different from another, beyond technique. Something inexplicable, something subjective, but that the audience feels, preferring some interpreters to others. That’s because, for many times, I watched performances without being able to take my eyes off a particular dancer. I also wondered about my own performances and why some seemed to get a better response from the audience than others.<\/h4>\n

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It was when I began to meditate that light was shed upon those issues. Meditation triggered new reflections on my dance, especially concerning being on stage. I was gradually able to understand my master and the lesson where she taught us that every movement must be performed with maximum presence, never automatically. Dance is an art that happens in the moment, demanding surrender and totality.<\/h4>\n

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And to my happiness, in NY, I experienced and started studying diverse methods of Somatic Education. Based on self-knowledge, they consisted of different approaches toward the same objective: to bring more awareness to movements and greater mastery to the body. These practices, along with meditation, had a huge impact on my dancing.<\/h4>\n

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Years later, at Porto Alegre Cia de Dan\u00e7a<\/em>, along with the troupe\u2019s dancers, I explored and put some of these tools into practice. We were surprised to learn that the audience was able to notice something had been worked on in our performance.<\/h4>\n

I started to believe that regardless of some dancers having an innate charisma, an innate presence, it is possible to work with the dancer and develop these qualities, making dance transcendental.<\/h4>\n

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BE THE DANCE PRO combines some available tools so that the dancer can seek and bring out these qualities from within. It gathers Somatic Education methods to explore consciousness through movement and meditative practices, leading us to dive into the depths of our being in search for the essential, the real, the profound state, which are always present here and now.<\/h4>\n

BE THE DANCE PRO explores the subjective dimension of dance, the grandeur of totality, presence, surrender to the moment, and the distance of the thinking mind\u2014the doer, the one who disconnects us from the moment.<\/h4>\n

BE THE DANCE PRO wants to support dancers on their way to transcendence.”
\nSafia<\/h4>\n

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Modern Dance techniques combined with different Somatic Education methods. Guided improvisations, creative writing exercises and different active meditation tools spice up the process.<\/h4>\n

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BE THE DANCE PRO is an intense quest to get lost
\nin dance, to get to that point where
\nthe dancer and the dance merge.<\/h4>\n

To reach that sublime moment when
\nthe dancer is the dance itself.<\/h4>\n

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Images: Mahendra, unpublished film ALMA MU,
\nby Lina do Carmo,
\ncollective choreographic creation research,
\nStipendienprogramm 2021 des Ministeriums f\u00fcr Kultur
\nund Wissenschaft des Landes Nordrhein-Westfalen.<\/h6>\n

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CURRICULUM SAFIA<\/span><\/strong><\/a><\/h4>\n<\/div>\r\n <\/div><\/div>[\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_column][vc_raw_html]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[\/vc_raw_html][\/vc_column]<\/p>","protected":false},"excerpt":{"rendered":"

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